Path of Redemption

 

Path of Redemption
by Baruch Nachshon
acrylic on canvas
5759/1999
14.5″ X 9″

 

Three figures are depicted moving across a turbid sea of angry waves, symbolizing the trials of exile. Each figure is wrapped in a talit, and lit by the inner flame of their its soul- dedicated to the service of the creator. Each figure combines a human form with the bottom half of a fish, suggesting the ancient tradition that the righteous in holiness are likened to fish in water. The fish allegory also derives from the fact that the fish were spared the ravages of Noah’s flood, as the righteous will be spared the turmoil preceding the final redemption. In accordance with their holy elevation, the three figures are seen floating peacefully above the furious surf that does not trouble them.
All of the three figures are using each of their hands to serve God, and each object that they hold represents another commandment fulfilled, leading them steadily to redemption. Moving from the left of the canvas, in keeping with the figures’ own movement from left to right, the religious objects are: In the hands of the first figure, the four species which Jewish people are commanded to bring together on the holiday of succot and an ornate goblet representing the sanctification of God by the blessing over wine. The second figure blows a shofar with one hand, and in the second arm clutches a Torah scroll. The third figure carries two items that are essential to the service in the Temple of Jerusalem: a seven branched menora, and a lyre to accompany songs of praise to God.

 

Slichot in the Cave of Macpela

Holy Jerusalem

Nachshon Art
Artist
Baruch Nachshon Jewish Artist
Kiryat Arba 14/10
P.O. Box: 1418
Kiryat Arba,Israel
90100
IL
Holy Jerusalem
acrylic on canvas
5747/1987
21.5″ X 33″

The city of Jerusalem is depicted surrounded by divine light and flames of holiness that both illuminate and protect it. The city is ringed by a wall with seven towers, and in each tower stands a gate in the form of a flame. The city is entirely filled by the branches of a cherry tree, whose blossoms and fruit are the blessed inhabitants themselves. Beneath the city a tranquil sea suggests the peace and serenity that form its basis, while the colorful fish are mystical wards against the evil eye. All of the flames and all of the warm radiance are drawn upwards towards the infinity of the creator, represented by the tefilin (phylactery) and the shin that hovers above it and is the first letter of the name that implies the generative force in creation. The entire image is enfolded in the aspect of a talit composed all of light, and signifying the beneficent aspect of God as it wraps around His chosen city shedding bounty and excluding all corruption and destruction.

Towards the Light

Towards the Light
acrylic on canvas
5759/1998
13″ X 24″

 

The large figure that dominates the canvas represents the prayer of the righteous as it wings heavenward, against a backdrop of divine radiance. The figure is consumed by flame as it strives to cleave to the essence of God, who is described as “an all-consuming flame.” (Deut. 4) Upon its body burn seven smaller flames, the number seven being a central motif in the art of Nachshon. If seven represents the consummation of temporal existence, eight is that which transcends and elevates beyond the mundane. Thus the base of the figure is ringed by eight forms suggesting dancers who rejoice upon the elevation of the soul through prayer. The figure is borne upwards by a pair of wings of holy flame to signify the two modes by which a human communes with the creator: love and awe, and the face of the figure is always turned toward the source of divine light.

Angel Michael

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